Showing posts with label Genre: Rom-Com. Show all posts
Showing posts with label Genre: Rom-Com. Show all posts
Thursday, July 28, 2011
Forthcoming: Mere Brother Ki Dulhan
I love love love YRF, but I hate hate hate Katrina Kaif. So. What do I do with this unfortunate combination? I grow up and accept the fact that Katrina's in the movie, try to ignore her as much as possible, and officially get excited for Meri Brother Ki Dulhan. After all, YRF rarely fails to disappoint me.
First of all, I love this title track. I don't really get the appeal for Imran Khan, but he's cute enough so maybe I'll come around after this movie. The song is fun and catchy, and I like the tributary "Khan" dance steps. He mimics Salman from Dabangg, Shahrukh's "Chaiyya Chaiyya," and apparently Aamir's "Pathshaala" (although I see more of a "Eh Kya Bolti Tu" inspiration?). As an ardent SRK fan I can say that Imran fulfilled the "Chaiyya Chaiyya" steps pretty well...he just doesn't quite have the hair for it ;)
The song promo for "Dhunki" was also released today and is causing quite a sensation:
Despite Katrina's played out New York look and vibe, I gotta say that I like this song. And she does look good. YRF sure knows how to make its promos. At first I was unsure of the picturization of this song vs the actual audio, but as the promo went on, I was sold. And considering I was watching Katrina on screen for almost a full 3 minutes, that's a big feat.
Other cool things about this movie? Ali Zafar! I haven't actually seen Tere Bin Laden yet, but I've known of Ali Zafar through his music--and he's such a cutie! I'm excited to see him on screen and in such a big name film.
Generally, Mere Brother Ki Dulhan looks like a played-out and formulaic story, with nothing new or particularly unique to bring to Bollywood. But, I think that's exactly what I'm looking forward to--a fun movie, with catchy songs, and an overall entertainer. And, I swear, I'll try really hard to look past...the Kaif.
Meri Brother Ki Dulhan releases September 9th.
Friday, June 17, 2011
Movie Review: Turning 30
Starring: Gul Panag, Purab Kohli, Siddharth Makkar
Director: Alankrita Shrivastava
Original Release Date: January 14, 2011
*Few Spoilers*
"Chick flicks" seem to be a newer emerging genre of Bollywood films. We fairly recently saw the release of Sonam Kapoor's Aisha and are now looking forward to Anushka Sharma's forthcoming film, Ladies v/s Ricky Bahl. Turning 30 is a film that also takes a stab at this genre, but whether it was successful or not is the question. In a Bollyworld where heroines are eternally 25, this movie actually tackles the issues that many middle-aged women face. So, how did it fare?
...not very well. The film starts off fairly promising. Naina (Gul) is left distraught when her boyfriend (Siddharth) suddenly dumps her and she realizes that she's almost 30 and single--a nightmare for most Indian women in society. She tries to come to terms with her situation with the help of her friends but encounters further complications at her job at a famous advertising agency. Naina tries various tactics to win back her boyfriend but is unsuccessful, until an old flame reenters her life creating even more confusion for a now 30 year old Naina.
A movie with a strong start trails off into an extremely predictable and overused plot, with really nothing new to offer. Naina's failure to let go of her ex-boyfriend becomes almost pathetic and unbearable to watch. Naina is supposed to represent an independent, modern woman yet can't seem to get by without a man in her life. There are far too many scenes of Naina simply crying to a background of cheesy music. The more interesting subplots of the film are given insufficient screen time. One of Naina's best friends reveals that she's a lesbian. Not only was her actual revelation somewhat rushed an unnatural, but the entire story seems to get glossed over. Naina's other friend deals with her husband's infidelity--another issue that is simply brushed off.
In a movie that is meant to break so many boundaries, there were a slew of cliches and stereotypes. I'm a modern woman so I must be a chain smoker who curses frequently. I'm an artist from abroad so I must be a hipster who wears colorful scarves. I just got dumped so I must get a (rather tacky) haircut. I'm a lesbian so I must dress in long Bohemian skirts. And the list just goes on.
But my biggest annoyance with Turning 30 was the language. The whole movie was pretty much in English, with a few Hindi phrases interjected here and there. This really shouldn't be a problem, but it made the movie seem so unnatural and unrealistic. The actors just couldn't seem to get the tone and flow of their English lines quite right, making everything they said seem forced as if they were just trying too hard to be young and "cool." I honestly believe that this would've been a much better movie if it was in Hindi.
One bright spot of Turning 30 was Gul Panag. Despite the pale storyline and rather pathetic character, you just can't help but love her. She has a certain charm and cuteness about her that draws in the viewer. There's also something about her voice that's very relatable. The rest of the cast was largely unmemorable.
Offbeat Bollywood films are often a nice change from the normal matka-jhatka-filled flicks--but only when done right. Turning 30 tried a little too hard to be urban, making the story and characters seem unnatural. I do commend Turning 30 for tackling untouched issues in Bollywood and think this film is a good start to a genre that will hopefully thrive in the future. Catch it for free on YouTube if you're bored and want a (somewhat stereotypical) glimpse into the life of the urban Indian woman. If anything, the move does manage to put a smile on your face at the end.
Final Verdict: 4/10
Director: Alankrita Shrivastava
Original Release Date: January 14, 2011
*Few Spoilers*
"Chick flicks" seem to be a newer emerging genre of Bollywood films. We fairly recently saw the release of Sonam Kapoor's Aisha and are now looking forward to Anushka Sharma's forthcoming film, Ladies v/s Ricky Bahl. Turning 30 is a film that also takes a stab at this genre, but whether it was successful or not is the question. In a Bollyworld where heroines are eternally 25, this movie actually tackles the issues that many middle-aged women face. So, how did it fare?
...not very well. The film starts off fairly promising. Naina (Gul) is left distraught when her boyfriend (Siddharth) suddenly dumps her and she realizes that she's almost 30 and single--a nightmare for most Indian women in society. She tries to come to terms with her situation with the help of her friends but encounters further complications at her job at a famous advertising agency. Naina tries various tactics to win back her boyfriend but is unsuccessful, until an old flame reenters her life creating even more confusion for a now 30 year old Naina.
A movie with a strong start trails off into an extremely predictable and overused plot, with really nothing new to offer. Naina's failure to let go of her ex-boyfriend becomes almost pathetic and unbearable to watch. Naina is supposed to represent an independent, modern woman yet can't seem to get by without a man in her life. There are far too many scenes of Naina simply crying to a background of cheesy music. The more interesting subplots of the film are given insufficient screen time. One of Naina's best friends reveals that she's a lesbian. Not only was her actual revelation somewhat rushed an unnatural, but the entire story seems to get glossed over. Naina's other friend deals with her husband's infidelity--another issue that is simply brushed off.
In a movie that is meant to break so many boundaries, there were a slew of cliches and stereotypes. I'm a modern woman so I must be a chain smoker who curses frequently. I'm an artist from abroad so I must be a hipster who wears colorful scarves. I just got dumped so I must get a (rather tacky) haircut. I'm a lesbian so I must dress in long Bohemian skirts. And the list just goes on.
But my biggest annoyance with Turning 30 was the language. The whole movie was pretty much in English, with a few Hindi phrases interjected here and there. This really shouldn't be a problem, but it made the movie seem so unnatural and unrealistic. The actors just couldn't seem to get the tone and flow of their English lines quite right, making everything they said seem forced as if they were just trying too hard to be young and "cool." I honestly believe that this would've been a much better movie if it was in Hindi.
One bright spot of Turning 30 was Gul Panag. Despite the pale storyline and rather pathetic character, you just can't help but love her. She has a certain charm and cuteness about her that draws in the viewer. There's also something about her voice that's very relatable. The rest of the cast was largely unmemorable.
Offbeat Bollywood films are often a nice change from the normal matka-jhatka-filled flicks--but only when done right. Turning 30 tried a little too hard to be urban, making the story and characters seem unnatural. I do commend Turning 30 for tackling untouched issues in Bollywood and think this film is a good start to a genre that will hopefully thrive in the future. Catch it for free on YouTube if you're bored and want a (somewhat stereotypical) glimpse into the life of the urban Indian woman. If anything, the move does manage to put a smile on your face at the end.
Final Verdict: 4/10
Monday, April 11, 2011
"Ladies vs Ricky Bahl" is not a copy of "John Tucker Must Die"!
The film has barely begun shooting, but Ladies vs Ricky Bahl is already causing some controversy amid rumors that it is a copy of the 2006 Hollywood flick John Tucker Must Die. Anushka Sharma quickly, and rather pragmatically, rushes to the film's defense ensuring that the film is about a conman who cons girls for a living in order to make money. Sounds different enough to me!
In the interview, Anushka said one thing that really resonated with me:
"You know what, it's really sad but true that the first thing when a film is announced, so many out there want to start drawing parallels with what has already been made. No one cares that all of us are working hard on making an original product."
You go, Anushka! Pretty much every film ever made will have at least SOMETHING in common with another film out there--no need to obsess over it. And what's wrong with copies anyway? Sometimes they can work. I, for one, enjoyed We Are Family sooo much more than Step Mom. If someone is able to retell the same story in a slightly different way, then go for it!
In Ladies vs Ricky Bahl, Anushka Sharma and Ranveer Singh team up once again with YRF productions and director Maneesh Sharma to deliver this forthcoming rom-com set to release this December.
Source: http://www.hindustantimes.com/entertainment/bollywood/Ladies-not-a-copy-of-Jon-Tucker-Must-Die-Anushka/Article1-681956.aspx
In the interview, Anushka said one thing that really resonated with me:
"You know what, it's really sad but true that the first thing when a film is announced, so many out there want to start drawing parallels with what has already been made. No one cares that all of us are working hard on making an original product."
You go, Anushka! Pretty much every film ever made will have at least SOMETHING in common with another film out there--no need to obsess over it. And what's wrong with copies anyway? Sometimes they can work. I, for one, enjoyed We Are Family sooo much more than Step Mom. If someone is able to retell the same story in a slightly different way, then go for it!
In Ladies vs Ricky Bahl, Anushka Sharma and Ranveer Singh team up once again with YRF productions and director Maneesh Sharma to deliver this forthcoming rom-com set to release this December.
Source: http://www.hindustantimes.com/entertainment/bollywood/Ladies-not-a-copy-of-Jon-Tucker-Must-Die-Anushka/Article1-681956.aspx
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